Daniel Chester French, The Sons of God Saw the Daughters of Man that they were Fair, (1923). Corcoran Gallery. sandstead.com
Don’t you just love when you go to an art exhibition and you see one artist’s work in ceramics that is new, innovative, surreal, observant, defiant, wry, introspective, and authentic—and then there’s some asshole who submits a pinch pot and he’s submitted pinch pots for the last two decades. And he’s a real artist’s artist; you know the kind: a pretentious prick who uses words like spiritual and organic to describe his “process”, which, by the way, is a process that every American mastered in kindergarten. Fuckin’ pinch pots.
Inside the workshop #art #sculpture #ceramics #jackearl #classical (Taken with instagram)